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INALYA
GOLD-SCULPTED WORLD
The making of a jewellery house
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BackgroundInalya is a contemporary jewellery house founded in 2024 by egyptologist and master jeweller, Anne-Claude Honnay, whose practice builds bridges between today, yesterday and tomorrow. Inalya crafts 18-karat gold jewellery in dialogue with antique aesthetics and contemporary elegance. Guided by a vision of empowerment and openness, Inalya creates jewellery that elevates daily life. Like amulets, these pieces celebrate the strength, grace, and independence of those who wear them.
Challenge
When the project began, the founder had an existing jewellery brand and the desire to create a higher-end line. What emerged instead was the opportunity to craft a new company from the ground up, one capable of expressing her artistic ambition, her relationship to heritage, and her commitment to Métiers d’Art. Inalya needed much more than a visual identity or a refined product story. To become a brand, this project required a complete structuring of its universe: a clear cultural positioning, a narrative rooted in the founder’s story, and a visual, editorial and formal ecosystem aligned with the quality of the craft. From defining the brand’s philosophical foundations to bringing coherence across identity, communication, and sensorial expression, the challenge was to articulate an entire world, one that could hold together antic craftsmanship and contemporary culture.
Our Approach
We accompanied Inalya from its very inception, designing the brand holistically, from strategy to identity, communication, and experience, ensuring that every element of its expression was coherent, meaningful, and elegantly restrained. The strategy articulates Inalya unique territory at the crossroads of ancient aesthetics, contemporary minimalism, artistic sensibility, and symbolic meaning. Working closely with the founder, we shaped the entire identity system. The name Inalya, chosen by the creator, was integrated into a full design system: logotype, typography, colour palette, graphic rules, packaging direction, and formal language. We authored the full verbal identity, establishing an editorial voice that is elegant, culturally informed, poetic without excess, and grounded in the reality of craft. We defined the figure of the modern Amazone, a narrative archetype capturing the brand’s audience: independent, culturally aware, sensitive to craft, and drawn to objects that carry intention. We also designed the visual language, one that is rooted in minimalism, tactility, warm tones, and intimate compositions.
SCOPE OF WORK
Brand Strategy, Creative Direction, Digital, Copy
LIKE AMULETS, THESE PIECES SPEAK TO THE AMAZONS OF MODERN DAYS.
© Courtesy British Museum
LOGOTYPE AND MONOGRAM DESIGN
by Simon Hadjidimoff
DEBUT COLLECTION
Thesan
Inspired by the goldsmithing techniques of the Etruscans, Thesan, goddess of dawn in the Etruscan pantheon, embodies renewal and the promise of luminous horizons.
CREDITS
Creative Direction: Vaya Sigmas
Photography: Shari Ruzzi
Videography: Claude Lee Sadik
Light Design: Koen Vernimmen
Photo Retouch: Olga Basik
MUA: Emmanuelle Bastiaenssen
Casting: Ulla Models
Model: Mardiana
© Inalya 2024/25
THE CRAFT
Bridging Antique and Contemporary
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In the quiet of her workshop, Anne-Claude Honnay designs pieces that embody her emotions, knowledge, and craftsmanship.
CREDITS
Creative Direction: Vaya Sigmas
Photography: Claude Lee Sadik
Videography: Claude Lee Sadik© Inalya 2025
Object & Spacial Design
LEATHER AND WOODEN DISPLAY CONCEPT
by Simon Hadjidimoff